Amir Ebrahimzadeh/Whistling Vessels

Amir Ebrahimzadeh/ Whistling Vessel

Within the framework of contemporary sound and material exploration, Whistling Vessels presents an inquiry into the interplay between resonance, silence, and form. The exhibition introduces a compelling dialogue between sound as a sculptural phenomenon and its presence as a transient, ephemeral force. Through meticulous arrangements, the works on display challenge conventional notions of auditory experience - inviting viewers to consider sound not merely as an output but as an inherent quality embedded within objects

The exhibition revolves around vessels designed with acoustic consciousness. These objects act as mediators between sensory perception and structural logic, guiding the audience into an engagement where listening transcends passive reception. The vessels - whether ceramic, metallic, or composite - echo traditions of craft yet stand at the crossroads of contemporary experimental art. Their subtle capacity for producing whistling tones, either through interaction or environmental factors, transforms the space into an arena of latent sonic potential.

One of the exhibition’s defining aspects is its attention to the act of listening. Unlike works that present sound explicitly, Whistling Vessels cultivates a form of acoustic anticipation - the sound may emerge through movement, temperature shifts, or the audience’s proximity. This interplay between activation and absence fosters a heightened awareness of how sound materializes, dissolves, and reconfigures itself within spatial parameters.

In relation to new media and sculptural acoustic practices, the exhibition resonates with ongoing conversations about the role of sound as a spatial entity rather than a mere auditory phenomenon. The vessels evoke historical references - drawing parallels to ancient whistling pots or resonating chambers - while simultaneously embodying contemporary scientific and artistic research into sound propagation. By navigating the intersection of craft, technology, and sensory experience, the exhibition underscores how objects can possess latent sonic identities, waiting to be revealed.

Ultimately, Whistling Vessels extends an invitation to rethink material presence - how silence, space, and resonance intertwine to shape auditory experience. Through this exploration, the exhibition emphasizes the unseen forces embedded within form, allowing sound to emerge as an integral yet elusive phenomenon, existing beyond conventional listening frameworks.